Beyond The Deadlines | Exhibition Prints (30 images)

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In 2011 the Independent Weekly and the Durham Arts Council collaborated to produce an exhibit "Beyond The Deadlines: Independent Weekly photography by D.L. Anderson and Jeremy M. Lange"

Culling through thousands of photos from their time at the Independent Weekly, the final 31 limited edition pieces showcase the unique perspectives of these two award-winning photojournalists. Tom Rankin, Director of The Center for Documentary Studies, writes: "Eudora Welty has...
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  • French and Indian War Reenactment, Statesville, North Carolina, 2009 | Jeremy M. Lange | $350 | Limited Edition 2 of 7 | Print - 20x24" Light Jet Fuji Crystal Archive, lustre | Framed - 23x31" Larson-Juhl 3/4" Molding, Black

  • Billy Graham Library, Charlotte, North Carolina, 2007 | Jeremy M. Lange | $350 | Limited Edition 2 of 7 | Print - 20x24" Light Jet Fuji Crystal Archive, lustre | Framed - 23x31" Larson-Juhl 3/4" Molding, Black

  • Sheetz, Mebane, North Carolina, 2008 | Jeremy M. Lange | $450 | Limited Edition 2 of 5 | Print - 24x36" Light Jet Fuji Crystal Archive, lustre | Framed - 30x41" Larson-Juhl 3/4" Molding, Black

  • Chicken Butcher, Chaudhry Halal Meats, Staley, North Carolina, 2008 | Jeremy M. Lange | $350 | Limited Edition 2 of 7 | Print - 20x24" Light Jet Fuji Crystal Archive, lustre | Framed - 23x31" Larson-Juhl 3/4" Molding, Black

  • Major League Gamers, Raleigh, North Carolina, 2010 | Jeremy M. Lange | $350 | Limited Edition 2 of 7 | Print - 20x24" Light Jet Fuji Crystal Archive, lustre | Framed - 23x31" Larson-Juhl 3/4" Molding, Black

  • NASCAR Artifact, Rockingham, North Carolina, 2009 | D.L. Anderson | $350 | Limited Edition 1 of 7 | Print - 20x24" Light Jet Fuji Crystal Archive, lustre | Framed - 23x31" Larson-Juhl 3/4" Molding, Black

  • Texas Jack Fullbright and Laurin Brennon, Red & White Chili Cook-Off, Durham, North Carolina, 2010 | D.L. Anderson | $350 | Limited Edition 1 of 7 | Print - 20x24" Light Jet Fuji Crystal Archive, lustre | Framed - 23x31" Larson-Juhl 3/4" Molding, Black

  • Durham Rising, Parrish Street, Durham, North Carolina, 2007 | D.L. Anderson | $350 | Limited Edition 1 of 7 | Print - 20x24" Light Jet Fuji Crystal Archive, lustre | Framed - 23x31" Larson-Juhl 3/4" Molding, Black

  • Willis J. Farrington Comes Up Short, Lawn Tractor Pull State Championship, Cedar Grove, North Carolina, 2007 | D.L. Anderson | $350 | Limited Edition 1 of 7 | Print - 20x24" Light Jet Fuji Crystal Archive, lustre | Framed - 23x31" Larson-Juhl 3/4" Molding, Black

  • Waiting for Bill Clinton, Hillsborough, North Carolina, 2008 | Jeremy M. Lange | $350 | Limited Edition 2 of 7 | Print - 20x24" Light Jet Fuji Crystal Archive, lustre | Framed - 23x31" Larson-Juhl 3/4" Molding, Black

  • Train Tracks and Churches, Rocky Mount, North Carolina, 2009 | Jeremy M. Lange | $350 | Limited Edition 2 of 7 | Print - 20x24" Light Jet Fuji Crystal Archive, lustre | Framed - 23x31" Larson-Juhl 3/4" Molding, Black

  • Feathers & Filters, Chesterfield Cigarette Factory, Durham, North Carolina, 2008 | D.L. Anderson | $350 | Limited Edition 1 of 7 | Print - 20x24" Light Jet Fuji Crystal Archive, lustre | Framed - 23x31" Larson-Juhl 3/4" Molding, Black

  • Boy Scouts, The Battle of Bentonville.Four Oaks, North Carolina, 2010 | Jeremy M. Lange | $350 | Limited Edition 2 of 7 | Print - 20x24" Light Jet Fuji Crystal Archive, lustre | Framed - 23x31" Larson-Juhl 3/4" Molding, Black

  • Fingerprint Dust, Duke Lacrosse House Bathroom, Durham, North Carolina, 2008 | D.L. Anderson | $450 | Limited Edition 1 of 5 | Print - 24x36" Light Jet Fuji Crystal Archive, lustre| Framed - 30x41" Larson-Juhl 3/4" Molding, Black

  • Lacing Up The Sound Machine, North Carolina Central University, Durham, North Carolina, 2009 | D.L. Anderson | $350 | Limited Edition 1 of 7 | Print - 20x24" Light Jet Fuji Crystal Archive, lustre | Framed - 23x31" Larson-Juhl 3/4" Molding, Black

  • Insert Politically Motivated Cliché Here, Durham, North Carolina, 2008 | D.L. Anderson | $350 | Limited Edition 1 of 7 | Print - 20x24" Light Jet Fuji Crystal Archive, lustre | Framed - 23x31" Larson-Juhl 3/4" Molding, Black

  • Megafaun: Phil Cook, Brad.Cook and Joe Westerlund, Hillsborough, North Carolina, 2008 | D.L. Anderson | $600 | Limited Edition 1 of 5 | Print - 34x34" Crane Museo Silver Rag Archival Inkjet | Framed - 41x41" Larson-Juhl 3/4" Molding, White --Slow Down, Square Up By D.L. Anderson -- I use two cameras for the bulk of my photography. One is my workhorse -- the latest and greatest whizz-bang digital 35mm camera, capable of shooting high definition video and thousands of photos in no time flat. The other camera is based on a design unchanged since 1957 and shoots twelve square photos for every roll of film that is loaded in the back. Slow Down, Square Up is a collection of portraits made with the latter, a Hasselblad 501C, while on assignment or just simply for a break from the dizzying pace of modern digital photography. I have no choice but to slow down, consider my frame and stay connected to the soul on the other side of the lens.

  • America Taylor-Stewart, Senior, East Chapel Hill High School, N.C. Pride Fest, Durham, North Carolina, 2010 | D.L. Anderson | $600 | Limited Edition 1 of 5 | Print - 34x34" Crane Museo Silver Rag Archival Inkjet | Framed - 41x41" Larson-Juhl 3/4" Molding, White --Slow Down, Square Up By D.L. Anderson -- I use two cameras for the bulk of my photography. One is my workhorse -- the latest and greatest whizz-bang digital 35mm camera, capable of shooting high definition video and thousands of photos in no time flat. The other camera is based on a design unchanged since 1957 and shoots twelve square photos for every roll of film that is loaded in the back. Slow Down, Square Up is a collection of portraits made with the latter, a Hasselblad 501C, while on assignment or just simply for a break from the dizzying pace of modern digital photography. I have no choice but to slow down, consider my frame and stay connected to the soul on the other side of the lens.

  • Herbert and Zelmyra Fisher, Married since May 13, 1924, the World Record for Longest Marriage for a Living Couple, New Bern, North Carolina, 2009 | D.L. Anderson | $600 | Limited Edition 1 of 5 | Print - 34x34" Crane Museo Silver Rag Archival Inkjet | Framed - 41x41" Larson-Juhl 3/4" Molding, White --Slow Down, Square Up By D.L. Anderson -- I use two cameras for the bulk of my photography. One is my workhorse -- the latest and greatest whizz-bang digital 35mm camera, capable of shooting high definition video and thousands of photos in no time flat. The other camera is based on a design unchanged since 1957 and shoots twelve square photos for every roll of film that is loaded in the back. Slow Down, Square Up is a collection of portraits made with the latter, a Hasselblad 501C, while on assignment or just simply for a break from the dizzying pace of modern digital photography. I have no choice but to slow down, consider my frame and stay connected to the soul on the other side of the lens.

  • Peter Eichenberger, Writer, Raleigh, North Carolina, 2006 | D.L. Anderson | $600 | Limited Edition 1 of 5 | Print - 34x34" Crane Museo Silver Rag Archival Inkjet | Framed - 41x41" Larson-Juhl 3/4" Molding, White --Slow Down, Square Up By D.L. Anderson -- I use two cameras for the bulk of my photography. One is my workhorse -- the latest and greatest whizz-bang digital 35mm camera, capable of shooting high definition video and thousands of photos in no time flat. The other camera is based on a design unchanged since 1957 and shoots twelve square photos for every roll of film that is loaded in the back. Slow Down, Square Up is a collection of portraits made with the latter, a Hasselblad 501C, while on assignment or just simply for a break from the dizzying pace of modern digital photography. I have no choice but to slow down, consider my frame and stay connected to the soul on the other side of the lens.

  • Eva Martin, ADF Dancer, Durham, North Carolina, 2008 | D.L. Anderson | $600 | Limited Edition 1 of 5 | Print - 34x34" Crane Museo Silver Rag Archival Inkjet | Framed - 41x41" Larson-Juhl 3/4" Molding, White --Slow Down, Square Up By D.L. Anderson -- I use two cameras for the bulk of my photography. One is my workhorse -- the latest and greatest whizz-bang digital 35mm camera, capable of shooting high definition video and thousands of photos in no time flat. The other camera is based on a design unchanged since 1957 and shoots twelve square photos for every roll of film that is loaded in the back. Slow Down, Square Up is a collection of portraits made with the latter, a Hasselblad 501C, while on assignment or just simply for a break from the dizzying pace of modern digital photography. I have no choice but to slow down, consider my frame and stay connected to the soul on the other side of the lens.

  • Target practice for veterans of the wars in Iraq and Afganistan, Long Island, New York, 2006 | Jeremy M. Lange | $350 | Limited Edition 2 of 7 | Print - 20x24" Light Jet Fuji Crystal Archive, lustre | Framed - 23x31" Larson-Juhl 3/4" Molding, Black -- The War At Home By Jeremy M. Lange -- The War at Home documents the effects of the wars in Iraq and Afghanistan on returning veterans and U.S. culture. Only 1 to 2 percent of the U.S. population serves in the military, so it can be easy to feel personally detached from the consequences of what continues to occur in Iraq and Afghanistan. It was with this in mind that I set out to try to learn something about how it feels to return home after combat, to lose a son or daughter or to become so scared of the outside world that you find yourself alone in a crowded room. To humanize what is most human: love, loss and a sense of duty that sends you back time and again to stand by your friends and at times your country. At the same time, you know that even though you don't want to go back, you do. Because they would do the same for you. 

  • Airborne and Special Operations Museum, Fayetteville, North Carolina, 2009 | Jeremy M. Lange | $350 | Limited Edition 2 of 7 | Print - 20x24" Light Jet Fuji Crystal Archive, lustre | Framed - 23x31" Larson-Juhl 3/4" Molding, Black -- The War At Home By Jeremy M. Lange -- The War at Home documents the effects of the wars in Iraq and Afghanistan on returning veterans and U.S. culture. Only 1 to 2 percent of the U.S. population serves in the military, so it can be easy to feel personally detached from the consequences of what continues to occur in Iraq and Afghanistan. It was with this in mind that I set out to try to learn something about how it feels to return home after combat, to lose a son or daughter or to become so scared of the outside world that you find yourself alone in a crowded room. To humanize what is most human: love, loss and a sense of duty that sends you back time and again to stand by your friends and at times your country. At the same time, you know that even though you don't want to go back, you do. Because they would do the same for you. 

  • The body of Corporal Joshua C. Blaney is returned to his family. Blaney died from injuries sustained when an IED exploded near his vehicle in Afghanistan. He was 25. Charlotte, North Carolina, 2007 | Jeremy M. Lange | $350 | Limited Edition 2 of 7 | Print - 20x24" Light Jet Fuji Crystal Archive, lustre | Framed - 23x31" Larson-Juhl 3/4" Molding, Black -- The War At Home By Jeremy M. Lange -- The War at Home documents the effects of the wars in Iraq and Afghanistan on returning veterans and U.S. culture. Only 1 to 2 percent of the U.S. population serves in the military, so it can be easy to feel personally detached from the consequences of what continues to occur in Iraq and Afghanistan. It was with this in mind that I set out to try to learn something about how it feels to return home after combat, to lose a son or daughter or to become so scared of the outside world that you find yourself alone in a crowded room. To humanize what is most human: love, loss and a sense of duty that sends you back time and again to stand by your friends and at times your country. At the same time, you know that even though you don't want to go back, you do. Because they would do the same for you. 

  • Hundreds of supporters line the funeral route of Specialist Joel A. Taylor. Taylor died in Mosul, Iraq, of wounds sustained when his vehicle encountered an IED. He was 20. Washington, North Carolina, 2008 | Jeremy M. Lange | $450 | Limited Edition 2 of 7 | Print - 24x36" Light Jet Fuji Crystal Archive, lustre | Framed - 30x41" Larson-Juhl 3/4" Molding, Black -- The War At Home By Jeremy M. Lange -- The War at Home documents the effects of the wars in Iraq and Afghanistan on returning veterans and U.S. culture. Only 1 to 2 percent of the U.S. population serves in the military, so it can be easy to feel personally detached from the consequences of what continues to occur in Iraq and Afghanistan. It was with this in mind that I set out to try to learn something about how it feels to return home after combat, to lose a son or daughter or to become so scared of the outside world that you find yourself alone in a crowded room. To humanize what is most human: love, loss and a sense of duty that sends you back time and again to stand by your friends and at times your country. At the same time, you know that even though you don't want to go back, you do. Because they would do the same for you. 

  • Marine Corporal April Ponce De Leon at home, two week before being deployed to Iraq. After previously supporting the humanitarian aspect of the war, Ponce De Leon now calls it an "occupation" and no longer supports the war effort. Jacksonville, North Carolina, 2007 | Jeremy M. Lange | $350 | Limited Edition 2 of 7 | Print - 20x24" Light Jet Fuji Crystal Archive, lustre | Framed - 23x31" Larson-Juhl 3/4" Molding, Black -- The War At Home By Jeremy M. Lange -- The War at Home documents the effects of the wars in Iraq and Afghanistan on returning veterans and U.S. culture. Only 1 to 2 percent of the U.S. population serves in the military, so it can be easy to feel personally detached from the consequences of what continues to occur in Iraq and Afghanistan. It was with this in mind that I set out to try to learn something about how it feels to return home after combat, to lose a son or daughter or to become so scared of the outside world that you find yourself alone in a crowded room. To humanize what is most human: love, loss and a sense of duty that sends you back time and again to stand by your friends and at times your country. At the same time, you know that even though you don't want to go back, you do. Because they would do the same for you. 

  • Families and friends welcome home members of the 2nd Brigade Combat Team of the 82nd Airborne, based at Fr. Bragg after a 15-month deployment in Iraq. Pope Air Force Base, North Carolina, 2008 | Jeremy M. Lange | $350 | Limited Edition 2 of 7 | Print - 20x24" Light Jet Fuji Crystal Archive, lustre | Framed - 23x31" Larson-Juhl 3/4" Molding, Black -- The War At Home By Jeremy M. Lange -- The War at Home documents the effects of the wars in Iraq and Afghanistan on returning veterans and U.S. culture. Only 1 to 2 percent of the U.S. population serves in the military, so it can be easy to feel personally detached from the consequences of what continues to occur in Iraq and Afghanistan. It was with this in mind that I set out to try to learn something about how it feels to return home after combat, to lose a son or daughter or to become so scared of the outside world that you find yourself alone in a crowded room. To humanize what is most human: love, loss and a sense of duty that sends you back time and again to stand by your friends and at times your country. At the same time, you know that even though you don't want to go back, you do. Because they would do the same for you. 

  • The Wounded Warrior Battalion East was set up to provide a place for wounded Marines to recover as they work through the issues of their injuries and wade through the paperwork involved with possible discharge or reassignment within the Marine Corps. With little to do and at times heavily medicated, many of the Marines spend much of their time sleeping. Camp LeJeune, North Carolina, 2008 | Jeremy M. Lange | $350 | Limited Edition 2 of 7 | Print - 20x24" Light Jet Fuji Crystal Archive, lustre | Framed - 23x31" Larson-Juhl 3/4" Molding, Black -- The War At Home By Jeremy M. Lange -- The War at Home documents the effects of the wars in Iraq and Afghanistan on returning veterans and U.S. culture. Only 1 to 2 percent of the U.S. population serves in the military, so it can be easy to feel personally detached from the consequences of what continues to occur in Iraq and Afghanistan. It was with this in mind that I set out to try to learn something about how it feels to return home after combat, to lose a son or daughter or to become so scared of the outside world that you find yourself alone in a crowded room. To humanize what is most human: love, loss and a sense of duty that sends you back time and again to stand by your friends and at times your country. At the same time, you know that even though you don't want to go back, you do. Because they would do the same for you. 

  • Marine Staff Sergeant Jason Jensen engages in a tai chi routine. Jensen, who is still an active-duty Marine, was diagnosed with PTSD after a tour as a combat photographer with the 2nd Battalion, 3rd Marines. After many Marine-prescribed treatments, Jensen found tai chi through the SemperFit program, which has brought holistic healing methods to many Marines recovering from PTSD. Clear Brook, Virginia, 2010 | Jeremy M. Lange | $350 | Limited Edition 2 of 7 | Print - 20x24" Light Jet Fuji Crystal Archive, lustre | Framed - 23x31" Larson-Juhl 3/4" Molding, Black -- The War At Home By Jeremy M. Lange -- The War at Home documents the effects of the wars in Iraq and Afghanistan on returning veterans and U.S. culture. Only 1 to 2 percent of the U.S. population serves in the military, so it can be easy to feel personally detached from the consequences of what continues to occur in Iraq and Afghanistan. It was with this in mind that I set out to try to learn something about how it feels to return home after combat, to lose a son or daughter or to become so scared of the outside world that you find yourself alone in a crowded room. To humanize what is most human: love, loss and a sense of duty that sends you back time and again to stand by your friends and at times your country. At the same time, you know that even though you don't want to go back, you do. Because they would do the same for you. 

  • Members of the Patriot Guard set up a flag outside the funeral of a member of the U.S. Army killed in Iraq. The Patriot Guard is a motorcycle group formed to provide escort and protection for the families of fallen service members. Washington, North Carolina, 2008 | Jeremy M. Lange | $350 | Limited Edition 2 of 7 | Print - 20x24" Light Jet Fuji Crystal Archive, lustre | Framed - 23x31" Larson-Juhl 3/4" Molding, Black -- The War At Home By Jeremy M. Lange -- The War at Home documents the effects of the wars in Iraq and Afghanistan on returning veterans and U.S. culture. Only 1 to 2 percent of the U.S. population serves in the military, so it can be easy to feel personally detached from the consequences of what continues to occur in Iraq and Afghanistan. It was with this in mind that I set out to try to learn something about how it feels to return home after combat, to lose a son or daughter or to become so scared of the outside world that you find yourself alone in a crowded room. To humanize what is most human: love, loss and a sense of duty that sends you back time and again to stand by your friends and at times your country. At the same time, you know that even though you don't want to go back, you do. Because they would do the same for you.